Monthly Archive for November, 2008

there are some mornings when the sky looks like a road;

IMG_1101
View from Jonic’s window. I haven’t officially posted pictures yet because I don’t have time to tag.

Saturday morning: up early, and so tired after a long and draining week; a few gins to the wind last night and a Starbucks under my belt before I even reach the train.

Winter has come to these fields without question and a light, icing-sugar dusting of groundfront hides the earthy tones of hibernation from the passing train. The East Coast Mainline is my favourite stretch of railway; particularly the point just before Dunbar when, mind wandering as you gaze out of the window, you realise that what you thought was the sky behind interchangeable fields is actually sea. I tend to catch this view in the summer, on the way to London or to Berwick for mine and K’s joint birthday celebrations, but it’s in the winter that the landscape really comes into its own: bare branches, the grey of the ocean and a slate sky tinged with pink go some way to sate the wanderlust in my heart. I decide against digging out my camera, because I don’t want to miss a second.

Sunday morning: walking back into York from Jonic’s mate Dave’s house, where we had crashed out for the night after a few more gins and despite the entertaining presence of Paul Anthony Kealey, the most awesome cat in the northern hemisphere. We could see our breath in the air and smell the chocolate from the nearby Nestle factory, and I remember saying something to Jonic like “you get to live here all the time!” and grinning. It’s strange that all of the things I found irritating about the city on my last visit, some two and a half years ago, utterly beguiled me this time around: the ramshackle, narrow buildings with the staircases I was terrified I’d plummet down, and the streets with names like Shambles and Nether Hornpot Lane. It couldn’t have taken me any longer than about an hour to fall halfway in love with the place, although the volume of alcohol consumed over the course of this weekend puts that last disgraceful weekend to shame.

It was not, however, supposed to be thus. While this weekend was always planned more as a long-overdue reunion with my dear Web Hedgehog than a traipse down the tourist trail, I had planned at least to have a wander around the markets and take a couple of pretty photos. While I managed the latter, the sheer volume of people in the city in the run-up to Christmas made the former as good as impossible – which was a shame, as I would have loved the chance to observe the art of crepe-artistry first-hand. “Fuck this,” said Jonic, as I stood on tiptoes for a better view of some of the most spectacularly tacky lavender-based gifts I had ever seen, “pub?”

There were actually several pubs, each with its own set of charms. There was The Snickleway, overcrowded even for a Saturday afternoon with its talkative punters and walls covered in plaques and comedy signs and mementos. I can’t remember what Jonic and I were talking about when this barfly leaned over and started ranting about getting ripped off on eBay because something he’d bought hadn’t arrived yet. “Where’s Port Talbot?” he shouted over to his mate when I tried to establish where the seller lived. “Is that a pub?” came the reply. I loved it, and I loved the Biltmore where there were posh cocktails and I kept falling off my barstool and the kid behind the bar, who couldn’t have been any more than about nineteen, said I could have an extra raspberry even though he thought Jonic was my boyfriend. I loved Buzz, even if the rest of the customers could have done without us discussing a certain notorious shock-porn site over dinner of noodles and warm sake, and where I pocketed a Bombay Sapphire-branded cocktail stirrer when the barman wasn’t looking even though Jonic said they wouldn’t care since they probably threw them out after one use anyway.

But best of all I loved The Habit, where we ended up that night and which was like all good pubs should be: cosy, crowded and stocked with Kopparberg (and gin); full of good people and good music and with just enough space to dance. We watched Dave Keegan and, was it Simon something, play the entire contents of my iPod with wit and skill including a jaw-droppingly awesome version of “Shot in the Arm” which gave way to “I Wanna Be Your Dog” and which was one of the greatest things I’ve ever seen, even better than Jeff Tweedy himself. And there were all of these amazing people there because Jonic seems to know like every single person in York and they’re all either fantastically talented musicians or just amazingly cool people, and called either Rob or Dave (including Dave McLean, with his fantastic beard, who we’d seen busking earlier and who stopped for long enough to tell us about this chip shop in Drumtocher and its Italian proprietress who supplied the salt and vineeegarrr). And I danced with these lovely girls who asked about my tattoo, and they seemed genuinely interested so I didn’t mind telling them, and I thought about how long it had been since I’d had a genuinely great, spontaneous night (or as spontaneous as it gets when it cost you three and a half hours and seventy quid to get there), and how much more sense singing and dancing and drinking and laughing and talking makes compared to the craziness of Monday mornings and power-dressing I can’t quite get the hang of, and how I really didn’t want it to end.

And there were other things too; but I hate when people write blog posts consisting of private jokes and stuff that will only make sense to one other person but there’s enough of that to keep Jonic and I in stupid laughs until at least he comes up to Glasgow where you can at least buy Irn Bru inna can for your hangover at less than £1.29 per 500ml. I got to see Kieran briefly too, and talk albums of the year, and meet Rachel properly rather than just as another face at a party I didn’t know anybody else at either, which was an added bonus. Right now I’m going to throw something at this headache and try to get a decent night’s sleep before the week’s bloody treadmill kicks off again.

“dig through the record bin and find a record for 59c that you’ve always wanted all your life”;

The night I went to see Nanci Griffith at Glasgow’s Royal Concert Hall with my daddy was the first night I ever felt like a grown-up. I was fourteen years old and I felt impossibly grand in that beautiful venue on my father’s arm, talking to some of his colleagues in the bar at the intermission like I wasn’t the youngest person there. I was wanting to hear “It’s A Hard Life (Wherever You Go)” – my favourite song in those days, in which Nanci sang as a “backseat driver from America” taking a taxi through Belfast during the heart of the Troubles. The women all seemed to be waiting for “Love at the Five and Dime” – I didn’t really understand lovesongs at that age, but I could empathise with those songs that called for social change.

“Love at the Five and Dime” [YouTube link] tells the story of Rita, a sixteen-year-old cashier who “made the Woolworth counter shine” and her love for Eddie, a steel guitar player and a “damn good dancer”. In the song they meet, fall in love and grow old together although not without plenty of heartbreak along the way. The version I listened to most often as I was growing up, taped from my dad’s Greatest Hits CD and listened to on my old single-deck Alba cassette recorder, was a live take from the One Fair Summer Evening concert, which Nanci introduced with a tale of her first visit to London. She got off the bus in this strange, foreign city – “and, by golly, there was a Woolworths store.

“Woolworths stores,” she continues in a speech I can recite by heart having listened to it so often growing up, “smell the same all over the world – like popcorn and chewing gum rubbed around on the bottom of a leather-soled shoe.” I can’t say that my local Woolworths featured either a popcorn machine or an elevator which pinged with the high note of the top string that punctuates the song, but it did have a reduced to clear cassette bin that performed the same function as that old record bin did in a small Renfrewshire town in the mid-1990s.

Woolworths has not been the first victim of the credit crunch on the high street, but reports of its lingering demise here in the UK have been met with a wave of nostalgia I doubt many stores could command from a dwindling clientele. From my own perspective, I can’t help but regard Woolworths with a level of affection that I think might seem like an overreation to those who lived in or near a larger retail centre – the big names went to nearby Paisley (before it became suffocated by Braehead) and Glasgow; so Woolworths was the biggest, most recognisable name on Johnstone High Street. Indeed, it was the only recognisable name; with the exception of a couple of bookmakers, the usual banks and a Greggs. It was certainly the only place locally where you could buy chart music, and was the place I picked up the first cassette tape albums I bought with my own money – a crisp £20 note in a brown envelope, cash in hand for appearing as an extra in a film.

[The albums, if you're curious, were Ocean Colour Scene's Moseley Shoals and Alisha Rules The World by Alisha's Attic.]

Woolworths was also a source of fascination for its Pick n Mix counter, which I was never allowed to partake of because the sweeties harboured germs (and I see from yesterday’s Snowmail that I was not alone in this). Pick n Mix is an illicit thrill even now, and I feel as if I should have some in case by the end of the week it’s too late.

learn to love the highway when you’re home: last month’s mix, november 2008

This entry is part 9 of 28 in the series monthly mix club

Winter is coming. The lights are going up, the nights are getting colder and, in her third floor flat somewhere on the less salubrious part of Glasgow’s south side, this blogger is – for the most part – fairly content. The emotional storm of recent weeks has passed, as it always does, and my cold rose has healed completely (odd, as the bruises I pick up all too quickly take forever to fade). I’ve even got my pulse down to something resembling normal during my nightly workouts at the gym!

I try to keep the private (if not always the personal), and certainly the professional, out of this blog as much as possible, but I suppose I won’t be doing any harm by mentioning that I’m being promoted at work. Not to worry though, faithful readers – when I have any free online time at all, I spend it with you first and foremost! I’m going to Edinburgh tomorrow afternoon, to meet a contact and get that last bit of full-time journalist out of my system before moving into my new role on Monday (although I’ll be keeping the magazine too, so our quarterly stress sessions shall perhaps get even more intense!). After my meeting I’m going to treat myself to the shoes I fell in love with last time I was in the city, if they even still have them, and then wander around the newly-opened Winter Wonderland with my battered Nikon.

I have a serious case of wanderlust this weather, so it’s just as well I’m away practically every weekend for the rest of the year. This weekend sees my reunion with the Web Hedgehog, aka the brains behind this wonderful site, at which I will hopefully not disgrace myself to the level I did on that fateful night we first met; and next weekend the Bezzer and I get to see Jesse Malin in – of all places – Putney. A family wedding down south, and Christmas in the Midlands, should keep me occupied until I can put together the plans and the money for an American trip.

But onto the pressing business – the last Last Month’s Mix of the year! Yes I know it’s only November, but if you thought it would be business as usual alongside that eagerly-anticipated (!) Last Year’s double-header you are very much mistaken! November 2008 has been a momentous month, personally and politically and everything in between, and if I’ve captured even a little of that here then I’ll have done very well indeed.

Coming Out In November: last month’s mix, November 2008
1. The Mountain Goats: “Waving At You”
2. David Vandervelde: “Someone Like You”
3. The Helio Sequence: “Everyone Knows Everyone”
4. The National: “Mr November”
5. Ryan Adams: “When The Stars Go Blue”
6. Herman Dune: “This Will Never Happen”
7. Kay Hanley: “Fall”
8. Kathleen Edwards: “Somewhere Else”
9. Okkervil River: “West Falls”
10. Frightened Rabbit: “Good Arms vs. Bad Arms” [live]
11. Phosphorescent: “Wolves”
12. Dresden Dolls ft. Franz Nikolai: “Ballad of a Teenage Queen”
13. Leona Naess: “Leave Your Boyfriends”
14. Absentee: “Bitchstealer”
15. Mark Kozelek: “Celebrated Summer”
16. Joanna Newsom: “Clam, Crab, Cockle, Cowrie” [Ys Street Band version]
17. Marah: “Baby Love”

[.ZIPPED MP3, LEFT CLICK/SAVE]

Monthly Most Played after the jump.

Continue reading ‘learn to love the highway when you’re home: last month’s mix, november 2008′

the last pale light in the west of scotland;

At about one o’clock this morning, we left the cinema to a light dusting of the first snow of the year. It wasn’t much, certainly not enough to lie this morning (in fact, it’s freezing rain outside now), but it couldn’t help but thrill us – particularly Xan’s cousin Madeleine, who was straight on the phone to her friends in California. As we made our excitable way back to where the cars were parked we passed a couple of youths, one pushing the other down the road in a stolen supermarket trolley. “Only fannies pay for taxis!” they yelled. As Lisa drove down the road, thick white flakes zooming into the window like we were going into hyperspace, I snuggled into Jay’s shoulder and thought about how, on nights like this, Glasgow is the greatest place in the world.

I’d been avoiding the reviews, as I hadn’t seen the film yet, but I know that it’s been panned pretty much across the board. While I wasn’t as enthralled by Quantum of Solace as I was by its predecessor though, I didn’t have very many complaints. A little too much like the second act of Casino Royale, a film I haven’t seen recently enough to follow all of its implications, perhaps; a little too artfully shot. As the ludicrously colourful animated title sequence bounded onto the screen Jay nudged me and said “this director’s afraid of action”. He knows more about these things than I do, but I have to admit – breaking away from your fight scene for a bold, colourful shot of some squashed cherries or an elegantly shattering pane of glass is all very well, but sometimes you just need to see the bad guy get punched in the face. Know what I mean? Oh, and I find it hard to get involved in films that are supposedly set in the real world, yet use Iron Man levels of touchscreen advanced technology in everyday devices. I have a Sony Ericsson, and I have a hard enough time Bluetoothing photos from it to my laptop.

That was far too long a list of complaints for a paragraph that began I didn’t have very many. I enjoyed seeing Bond and M’s relationship develop, and Daniel Craig is fantastic as the character. Jay and I disagreed over our favourite Bond Girl, which is odd because our taste in women is usually quite similar. When you Google Olga Kurylenko most of what you get is pictures of her in her underwear, but as this is not that sort of blog let me just say that this is, I think, how I will have my hair styled next time I get it done.

* * *

A few people have been asking, outside the context of Last Month’s Mixes (new one due this week I guess, eep!) what I’ve been listening to of late, so in an attempt to clear some of my backlog here are some brief reviews of what’s new on my iTunes:

All Aboard: A Tribute to Johnny Cash is one of the better covers compilations I’ve heard in recent years, featuring some of the Man in Black’s most respected classics as performed by such luminaries as the Gaslight Anthem (whose rockabilly blues I’ve been loving of late following a recommendation by reader Curt); Dresden Dolls with Franz Nikolai of the Hold Steady; and Ben Nichols – his emotive, gravelly rendition of “Delia’s Gone” is worth the cover charge alone, and that’s before you consider that the proceeds go to charity. Anchorless Records will send overseas if you ping them a couple more dollars for international postage.

Speaking of Ben Nichols, the Lucero frontman’s debut solo mini-album is incredible. The Last Pale Light in the West is based on Cormac McCarthy’s Blood Meridian and like the prose that inspired it it’s raw, visceral, evocative and stunning. I have to confess that I never finished the book – I don’t think I was in the right headspace when I picked it up – but I’m determined to try again. The CD isn’t out officially until 2009, but you can buy it directly from the band now.

Sticking with solo albums – and All Aboard contributors, when it comes down to it – I ordered Who Killed Amanda Palmer after giggling my way through the catchy melody and juvenile video for “Oasis”. While the album as a whole doesn’t come close to the best of her work with the Dresden Dolls, there’s at least one track on there that brings me to tears every time and the rest of it has certainly grown on me with repeated listens.

Last but not least, Jesse Malin’s live album Mercury Retrograde certainly isn’t “eponymous” as the vocabulary-challenged attached press release attests, but it’s a great warm-up for a double header of live dates towards the start of next month. Malin’s live shows are such an engaging experience, as I have written at length in this blog before I’m sure, that it’s difficult to capture exactly what makes him so special in this acoustic recording, as performed live over two nights in New York City, but the five bonus tracks make this release an essential purchase for fans – “Megan Don’t Know”, from the iTunes release of Glitter in the Gutter, is one of my favourites from those sessions; and a seasonal cover of “Fairytale of New York”, performed with Bree Sharp, is a riot.

PS Read perennial LYG favourite Chuck Klosterman (have I mentioned lately how much I love Chuck Klosterman?) review Chinese Democracy – an album I feel as if I have to care about against my will because Tommy Stinson plays on it.

bopping to the music your dad likes since 1994;

So this video gets a little screechy, but in sights I’d love to see the Hold Steady and Drive-By Truckers performing “Chillout Tent” in Chicago together is right up there with my national team doing the impossible and putting a few past Argentina tonight. I hear the latest on my favourite band’s next visit to these shores is that the Cunting Crows (oh, sorry… think that was a typo) have postponed their European tour, which means that Scotland gets no Hold Steady at all next month. Not that we could have afforded seventy quid a pair of tickets to walk out after the support, but you know. Principle of the thing, innit.

Did you know Bruce Springsteen has a new album out in January? It’s just that, if my inbox is anything to go by, various people think I don’t. I know, I know, I really ought to blog as much as I used to. Regardless, Working on a Dream will be out on Columbia on 27th January (via brucespingsteen.net).

Twenty-fourth studio album. Man.

that was my ass you saw bouncing next to ludacris;

Gym Bag (Day 84 of 365)

So the big news story, she says as she stuffs her face with a slice of a particularly stringy four cheese pizza*, is that I’ve joined a gym in the city. It’s one of those women-only places, the one that’s particular gimmick is the 30-minute all-over-body workout, which is something I feel I can commit to easily enough after work of an evening – it’s not a case of pitch up, half-heartedly struggle with a couple of machines and then never go back. Many of the patrons are older ladies who aren’t the most svelte, figurewise, which is quite nice too as there’s a real sense of “we’re all in this together” as we make our way round the circuit. There isn’t that added pressure to look good while sweating that I’d imagine you’d feel in the more conventional gym set-up, and it’s easy to catch somebody’s eye and smile.

I used to have two cardinal rules: to never check my weight, and to never check my bank balance. All very well in principle, for both issues are particularly depressing when dwelled on to extremes, but that’s probably how I ended up thirteen stone and overdrawn. I’m nowhere near that weight now, thanks to sixty sit-ups a day and cutting out the chips (in fact, when I saw my dad at the weekend for the first time in a few weeks he practically yelped “what happened to you, have you not eaten in three months?”) but I’m still a little overweight and my personal fitness leaves a lot to be desired. A lot of that is down to my ongoing problems with my knees of course, and I think I’m allowed to take it easy on the squats if I don’t feel as if I can get out of a particular bend, but I’ve noticed the pain easing as I’ve gotten a little fitter and I really think my new routine will help. I seem to have the thready pulse of an eighty-year-old, and a BMI of something ridiculous and eye-opening. I may only be on my second session, but I’m quite proud of making the commitment so far: they ask you to aim for at least three sessions a week, and I plan to keep it going.

It’s one of those places that sets you targets, and measures you regularly to see if you have met those targets, which I’d imagine is the sort of thing one can become unhealthily obsessed by – but these days, I’m too big a fan of good food and home baking to take it to extremes. I’m so clueless about these things that, when asked what weight I would like to aspire to, I quoted the last figure I was that I could remember – it was only later that the trainer’s look of horror made sense to me when I remembered that I did have something of an eating disorder at the time. Oops!

When I left the gym tonight, I ran into an old classmate on her way to take her two-year-old to see the Christmas lights in George Square. It was nice to see her, and probably the perfect ending to a very strange, very introspective, few days of nostalgia. Yesterday I was invited back to the Law School to chat to some of the students about alternative career paths, and I wandered around Professors Square lost in my thoughts, remembering that I used to get to spend every day in an environment that is always particularly gorgeous at this time of year when the leaves change colour and the squirrels practically run up to you. The talk went as well as these things do, bearing in mind that public speaking terrifies me – the students didn’t ask me questions in the plenary session, but a couple of them came to find me afterwards. Perhaps I’ve managed to inspire some future budding journalists, in the very building where my blogging career began! I also got to spend time with one of my tutors, who also happens to be one of my absolute favourite people in the world and who I haven’t seen in far too many years. So that was great, even if he did remind me about the time I fell off a chair in the middle of a seminar while attempting to clean the whiteboard.

I think I’m almost ready to face 2008 again… but I still don’t regret the tattoo.

*The pizza wasn’t even all that nice, which I’m finding more and more these days when I overindulge with things that aren’t good for me. It’s enough to make you want to be healthy… or just stick with chocolate, which never disappoints, particularly now that you can by Wispas again.

[PHOTO: Day 84.]

saturday’s bruises and cold roses;

Saturday's Bruises and Cold Roses (Day 81 of 365//Week 12 of 52)

Still feeling a little under the weather, hence a Saturday night spent eating cheesecake and live-Tweeting The X Factor with the great little Glasgow crowd we seem to have going over there. As Saturdays go, I feel as if I got things accomplished – I spent time with my siblings, cooked a fantastic curry; oh, and got that tattoo I mentioned yesterday.

I should probably stress that this permanent arm graffiti isn’t some shotgun reaction to a touch of the blues, but rather something I’ve been planning for ages. I’ve always loved the design, but had originally wanted to also feature the words beautiful sorta- with tiny wrists like mine though, it was never going to be practical for a Srs Legal Profeshunal such as myself. It’s quite a detailed design and, although over in about ten minutes and nothing like as painful as I expected it to be, I admit I winced a little as my Australian tattoo artist drew over some of the lines.

Well worth any temporary discomfort though – it’s healing up really nicely and I absolutely love it. Regardless of whether or not I’m still listening to Ryan Adams when I’m sixty, it connects me to a place and time that’s very much a part of me – and its positioning on the inside of my wrist is also symbolic.

I can’t stop looking at it and grinning.

[PHOTO: Day 81.]

used to be off broadway;

Sad Carousel (Day 80 of 365)

So I guess if I want you to understand why I walked out of tonight’s Ryan Adams and the Cardinals show, I have to take you back in time a few years. It was Autumn 2003, late October into early November, and I lived in a room the size of a wardrobe not a stone’s throw from the shiny new venue the band played tonight. On my bedroom door was a tour poster I stole from a toilet wall in some Glasgow pub or other, and a calendar countdown I’d made from a post-it note. I was a few weeks away from seeing Ryan Adams live for the first time, back in the city I still called home’s legendary Barrowlands venue, and I was well excited.

That show was one of the best of my life for so many reasons: meeting some of those temporary best friends you do at gigs when you’re there on your own and just get chatting, united by nothing but your love of the music; staking out the venue til the band emerged; cheeseburgers and hugs and taxicabs at three in the morning and Parker Posey giving me the evil eye. I do not hold it up as a point of comparison musically, neither to subsequent Ryan Adams shows or to anything else (it was the Rock n Roll Killers tour), but more as an illustration of how utterly bonkers my life was at the age of 21 and how such nights of lunacy – while hardly commonplace – provided the sort of big, multi-coloured exclamation points I never seem to hit anymore. Those “emo” years of mine were never easy, but at least they were never dull. I couldn’t cast a vote either way as to whether I was a better, happier or more interesting person then than I am now, but common sense rarely gets the better of nostalgia.

Edinburgh, as a city, has never forgiven me for not putting the work in, as it were – that every Saturday I’d clock out from another shift flirting with the Dalry Road boys and head straight for Haymarket and a train back west. The city shows her displeasure in two ways: firstly, by never changing; and secondly, by never staying the same. So the student hole where I once spent a week living off a buy one get one free frozen pizza deal, a box of prescription painkillers and the jar of coppers I traded for photocopying credits is still standing, but they knocked down the bingo hall that marked our bus stop and built new offices in shining glass and chrome (half the law firms I tend to come across in the course of an average week all seem to boast my old postcode, which is surreal in itself). I could name ever shop front that lines Lothian Road and point out the ones I’ve visited in my pyjamas, but I walked past one of those Dalry Road boys I used to crush on when I got off the train this evening, and the faint smile he flashed my way was one of politeness, not recognition.

And the last time I was in what they’re now calling The Picture House it was Freshers Week 2003 and I was with my little brother and my then-flatmate, the one who still owes me her share of the last electricity bill. I don’t think the decor has changed much in five years, although it was dark and I was drunk – the bar prices certainly haven’t. As a venue, when full, it’s stifling, you can’t get moving and there are only about three points on the floor from which you can actually see the band. Edinburgh’s version of the ABC it is not.

These new Cardinals (as I cannot help but refer to the post-Neal Casal years) have matured into a tight live act and you certainly can’t fault their performance. They open with “Cobwebs”, one of the standouts from the new album, and it’s clear they plan to showcase plenty of new material tonight. Too many songs I don’t care about, like Casal’s “Freeway to the Canyon” (but thankfully no “What Sin Replaces Love”) don’t agree with my lingering flu and, with considerable difficulty, I inch my way through the crowd to the relative safety of Gav and the bar. On my way I hear a girl, dressed to the nines for a night out, ask her boyfriend which one Ryan Adams is: he keeps a lower profile these days and I know it’s not up to me to care, but this man means so much to me that I can’t help but worry when I see how tiny he is these days.

He’s still the man who wrote some of the songs that mean the most to me – the ones that I wept to through my early twenties and sometimes still do – and slips them into the setlist when you least expect it: “When The Stars Go Blue” still dancing through the Glasgow underground after the underage consumption of a bottle of orange Reef or two four, and “Come Pick Me Up” – my favourite song, the one I always said I’d kill to hear live, ultimately punctuated by the loud conversation of the two guys behind me. Not ruined, it could never be that… but certainly not the way it always played out in my head.

In the end too many songs that meant too much, played too close to my old neighbourhood and with me still a little too ill, proved too much and I needed the cool space to cry that the early walk to Waverley provided. A quiet train, a boy (with a new job!) to meet me at the other end and a wait for the night bus in the rain later and I am home, looking up the levels of pain for different locations of tattoo on the internet and convincing myself that I’ve been talking about it for long enough – I think, in the morning, I should get my Cold Rose.

[PHOTO: Day 80.]

tagging along;

Sick Day (Day 78 of 365)

I’m sure I’ve participated in the “bookworm meme” before, but since I’m wrapped up on the couch with some achy flu-type thing vile enough to have me sent home from work earlier I’m in no fit state to come up with anything more imaginative today. Besides, I was tagged by wee-h, whose utterly charming Edinburgh-based blog I’ve only been reading for a few short weeks now. So a repost is allowed, I think. The rules?

Pass it on to five other bloggers, and tell them to open the nearest book to page 56. Write out the fifth sentence on that page, and also the next two to five sentences. The CLOSEST BOOK, NOT YOUR FAVORITE, OR MOST INTELLECTUAL!

As well as Glamour magazine, here in the sick corner I’m currently reading Shooting History – the autobiography of journalist and broadcaster Jon Snow. It’s an absolutely fascinating view of some of the most important events to have shaped the modern world through the eyes of one of our most respected journalists and utterly gripping – not least because I’m under orders to hurry up so my mum can get her mitts on it after me. On P56, student activist Snow appears in front of a magistrate in Liverpool accused of assaulting a police officer during an anti-apartheid demonstration before a South Africa-England cricket match.

“…I would submit that it was I who was assaulted.”

I felt a pang of remorse for PC Wilson as the magistrate intoned, “Case dismissed. You may leave the court.” I knew that if I’d been a working-class lad he’d have got me – after all, I most certainly had booted PC Wilson back. My legal career survived another day, but not for many more.”

I suppose this also gives me the opportunity to boast here too of the email I got from Mr Snow himself on Friday night – stumbling across a particularly relevant factual inaccuracy in the book (Paisley, largest town in Scotland and birthplace of yours truly, a “Glasgow suburb”?!), I fired off a cheeky email and he was lovely enough to shoot back with a good-natured, contrite response when he would have been within his rights to ignore me to tell me to get lost. It’s fantastic when your idols don’t disappoint.

I tag anybody who is participating in NaBloPoMo – consider a day of blogging taking care of your special treat from me.

In more worthwhile news while I have your attention, Jon has asked me to draw attention to his campaign to get insurance for a terminally-ill 13-year-old so she can go to Disneyland before she dies. More information when it’s available, but for now if you could spread the word as Jon explains in his post that would be great.

[PHOTO: Day 78.]

you can’t hold the hand of a rock ‘n’ roll fan;

Setlist (Day 75 of 365)

Sometimes I can’t help but suspect that Rachel and I are simply daughters of the wrong time. We should be flapper girls or something, all flailing limbs and too much eyeliner down the front at yr local rock show. Who can explain why we missed a hundred ears, and listen to far too much mournful alternative country?

Not that Okkervil River can really be typecast as such: as live bands go, on a scale of one to the Hold Steady, the Texan indie rockers score at least a 9.5 in my head. Bounding onto the stage at a fashionably delayed hour (leading to set problems later on, with the Oran Mor’s Generic Indie Pish club night cutting short the planned encore), frontman Will Sheff is vaguely reminiscent of a Vernon Kaye who has read his weight in books and laid off the cheddar. And I mean that better than it sounds, as his energetic stage presence is almost as warm and engaging as the band’s amazing drummer. Despite a set drawn predominantly from this and last year’s critically acclaimed related albums – the material with which I confess most familiarity – back catalogue favourites such as “Black” and “For Real” receive rapturous reception from the crowd. Even more remarkably, a reverent hush descends on the notorious venue for a beautiful, almost-solo “A Stone”.

It’s no secret that I’m a huge fan of The Stage names and man, those songs stand up so well live they’d fill an arena. Bellowing out the refrain to “John Allyn Smith Sails”, hemmed in by a couple of hundred fellow fans, was a great experience – beaten only by the singing along we were encouraged to do to “West Falls”, during the encore.

Despite the best efforts of First Bus and their eccentric Sunday timetable, I even got to catch half of the support set. Broken Records have grown into a tight-knit bunch, soaring strings filling the venue faster than the crowds and proving their status as the best new band in Scotland. Check them out while you still can for cheap/intimate.

PS With his sweet face and slightly chubby features, Celtic and Socceroo forward Scott McDonald is blatantly the Ryan Adams of the SPL. Now, should I postpone my first session at my new gym to go embarrass myself here?

[PHOTO: Day 75.]