September this year marks ten years since I made my first, tentative and over-sharey, foray into blogging. I hope you’ll forgive a little self-indulgence on my part, but I’d like to do something to celebrate a pretty significant milestone. I’ve hit upon the idea of publishing some selected takes from my archives – there’s a little bit of poetic license required here, as some of the proper cringeworthy teenage stuff is (thankfully) lost in the mists and pixels of cyberspace, but what I’ll publish every Friday from here until the end of the year is culled from the LiveJournal years, 2003-2006.
Don’t laugh. When Tommy Sheridan was a proper, honest-to-God politician he was a good sort, the only one who’d make time for student journalists after parliamentary debates and give them quotes for their assignments. Which they would then fail for giving too much of a socialist slant rather than a balanced viewpoint!
26th March 2004
Expediency demands that my creativity be sucked out of me and ploughed into ever-more-worthy pursuits than this record of my thoughts. While the thrill of speaking to Tommy Sheridan – a real-live-honest-to-God-politician! – in my capacity as a student journalist the other day reminded me of what I am in this for, the reality is hours spent hunched over a laptop. I fruitlessly search the Internet for a gem of worthwhile information, try to pull an argument from thin air and make up cups of coffee so strong I describe them to my flatmate Pam, with a wry smile, as “poisonous”.
That bloody Microsoft paperclip mocks my discomfort at every turn. It occurs to me now that I don’t actually remember ever being discharged from physiotherapy – I can’t just have stopped going, can I? A combination of childhood bad posture, years of heavy backpacks, a life spent latterly almost entirely in front of a computer screen and a hell of a lot of stress has fucked my back up, given me the most incredibly tense neck muscles you could possibly imagine and the delightful aftereffect of hellish migraines every couple of days if I don’t get enough sleep. The thing is, whether it’s what Ian jokingly calls ‘the Edinburgh time difference’ or something else entirely, my body’s notion of what constitutes enough sleep has changed dramaticaly since last year. I remember when I was writing my first dissertation, chatting to friends on other continents until two in the morning and then getting up at eight to catch them before they went to bed and get started on my work before the day was too old. I feel so out of my own personal loop here, and perhaps my exhaustion is a direct result of that displacement.
I don’t know. I’m trying to combat the discomfort by taking regular breaks, talking to my mum on the phone or watching the news lying on the floor and trying to keep my back straight. Fairy lights, believe it or not, are an excellent relaxation tool. Sometimes I just stare at the ceiling until my mind brings itself back into focus. I have scented candles which help too. I was using lavender incense, but I had to leave my bedroom window open for a full day afterwards before it stopped smelling like a brothel in here.
The Legacy Edition of Jeff Buckley’s Live at Sin-e is absolute genius, and has been keeping me company during some of those breaks. I turn it up loud enough to drown out Edinburgh: the roadworks, the drunken teenagers spilling out of dirty nightclubs at three o’clock in the morning and the zoo that is Block 123. With the reality of this plane of something resembling but not-quite existence all but melted away, I could almost be there and then in New York with him.
I was back home on Mothers’ Day and we sat and played some old cassette tapes; the songs of people long gone – or long grown from four-year-old me and my two-year-old brother in a tuneless rendition of “There’s No-One Quite Like Grandma”. My mother and I both welled up as we heard Grandma and Grandad duetting on an old lovesong through the static of my first-ever tape recorder, the one that ended up in the kitchen when I got the threeCDautochangerfivespeaker monstrosity my sister was relieved to discover I’d be leaving at home.
There’s something sacred about those voices kept for posterity on tape. The people behind them are gone, or changed – one a sweet-scented, curly-haired memory of mini Mars Bars, Lego and little dolls in the bathroom named after the grandchildren. The other is so much older now, but he can still hold a tune – not so long ago on a Sunday visit I asked him to sing for me, and he did.
I think that’s how you know the people you love are never really gone – their afterimages remain, a smile permanently burned on your retina or a song on the tip of your tongue. It’s Ross in the picture on my wardrobe, the one I showed Seymour when he saw me in Edinburgh and he couldn’t get over how young we looked. It’s my grandparents, still in love and harmonising on tape. And it’s Jeff Buckley, and the art that was his legacy to a world he spent so little time in.
And with that – tangential even for me – I’d better get this essay printed out and head up the hill. I have birthday presents to buy today for Very Special People, I do.















Recent Comments